By Arif Ziya Tunç Fotoğraf sanatçısının bir fotoğrafı çekmeye karar vermesi ve bu fotoğrafın neden çekildiğine ilişkin pek çok eleştiri ve yorum yapılabilir. Gerçekte bir fotoğrafın çekim aşamasında yaşanan zihinsel süreçte, o fotoğrafa sonradan bakan kişilerin farkına varamayacakları kadar çok şeyler yaşanır. Aslında fotoğrafçı görselini kendi iç dünyasına, sezgi ve yaratma gücüne göre oluşturur. Elbette...
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AESTHETIC SEEKING IN PHOTOGRAPHY AND MY PHOTOFUSIONS
By Arif Ziya TUNC From the perspective of art, it would not be wrong to think that photography has been adopted as a new means of expression even today, according to the art of painting. Photography, which has emerged since the first quarter of the 1800s and is constantly developing with technical inventions...
TURKISH PRINTMAKING
By Arif Ziya Tunç In the first part, I would like to mention about some world famous traditional Turkish handcrafts, which developed in Anatolia despite the prohibition of art making in the Islamic world. In the second part, I will mention about Turkish art in the sense of West and about developing printmaking art...
HARMONY ARISING FROM THE CONFLICT OF BLACK & WHITE AND TUNC’S LINOPRINTS
This exhibition, which he describes as “Black and White Project Exhibition”, consists of 25 linoleum prints. Since he acted with the idea of a “Project”, he also brought together elements such as size, technique and stain values (black and white) to form a whole. Among the reasons why he realized this exhibition as a “Black...
ART OF ARIF ZIYA TUNC
Artists prefer the techniques they find most suitable for their creations as a means of expression. Regardless of the technical preferences, the plastic and aesthetic elements that the work of art should have reveal the value of that work. The situation is the same in painting and sculpture. Undoubtedly, also in printing, which is his...